你曾遭逢困境吗？曾在多变的生活中，不知如何选择吗？你怎么利用冰箱内的剩菜，烹煮出可口的晚餐？又怎么说出一句从未说过的话？皮亚杰认为，当你面临全新状况而不知所措时，你会用的便是智能。然而，人类内在的心智活动到底怎么由此刻状态变成下一刻状态？大脑究竟如何使我们拥有心智活动？并使我们拥有智能以面对未知？难道我们大脑里真有一个小人，命令我们做出种种反应？或者，大脑不过是一部具有特定程式的机器？ 　　自从达尔文提出演化论，我们便了解到，神奇的事物也可能由简单的开端逐步衍生而来。由於达尔文过程，新物种在数千年中被雕塑出来；免疫系统在数星期内产生新抗体；那么，在快速的思想与行动时间尺度上，达尔文过程是不是也能塑造出种种複杂念头？ 　　本片不仅以心理学、动物行为学、演化生物学、语言学等角度，来探索人类的内在心智活动，更深入人类大脑皮层，将达尔文理论应用在大脑思考的神经机制上，而架构出一部会思考的达尔文机器，带领读者思考大脑如何思考。

由国家广播电视总局策划部署、福建省广播电视局指导的大型理论实践探访节目《思想的田野》福建篇——思想号大篷车从福州始发，福建籍歌手叶一茜、福建农林大学教授刘飞翔、伦敦奥运会举重冠军林清峰、东南卫视主持人谢霜以及两位特邀“歪果仁”嘉宾组成的探访团奔赴闽东寿宁下党乡，探寻乡村发展之美；前往千年历史文化名镇永泰县嵩口镇，感受古乡镇的变化与坚守；开赴闽西大山中的武平县，探寻林改后“不砍树也能致富”的可持续发展之路。

由国家广播电视总局策划部署、福建省广播电视局指导的大型理论实践探访节目《思想的田野》福建篇——思想号大篷车从福州始发，福建籍歌手叶一茜、福建农林大学教授刘飞翔、伦敦奥运会举重冠军林清峰、东南卫视主持人谢霜以及两位特邀“歪果仁”嘉宾组成的探访团奔赴闽东寿宁下党乡，探寻乡村发展之美；前往千年历史文化名镇永泰县嵩口镇，感受古乡镇的变化与坚守；开赴闽西大山中的武平县，探寻林改后“不砍树也能致富”的可持续发展之路。

A documentary that shows how we can advance humanity by unlocking the secrets of the mind. 　　When Tianqiao and Chrissy first announced that they were focusing their philanthropic efforts on brain science, they were flooded with questions about their choice. They decided to create a short video to address these questions and quickly realized that they had enough exciting content for at least one documentary. They decided to create something that would excite the public about recent advances and show just how close we are to a number of significant breakthroughs. They also wanted to create something could be used by scientists and researcher to make the case that more support is needed from government, philanthropists, businesses and the public if we are to unlock the secrets of the human brain.

8集电视理论片《思想的旅程》深情回顾过去十年党和国家发生的巨大变化，着重围绕党的十八大以来我国的变革性实践、突破性进展、标志性成果，阐释习近平新时代中国特色社会主义思想的原创性贡献。

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

观众将在来自英国的美食调查员大米的带领下，领略丝路风光，共同感受蕴藏在美食背后神奇的丝路文化和灿烂历史，在强大的传播影响力基础上实现丝路文化、中国故事的国际表达。 　　美食、美景、风情、故事，备受关注的大型电视纪录片《面面大观——丝绸之路上的面食》即将于2017年9月4日在中央电视台纪录频道播出。该纪录片是系列纪录片《面面大观》的第一季作品，作品采用全新的户外纪实类节目制作模式，以明快的叙事节奏、活泼的讲述语言、逼真的影像风格来满足受众的观赏期待，聚焦于丝路沿线多样的面食文化，从美食看生活，从美食讲丝路。

以丝绸之路的自然风光和风土人情为背景，沿丝路古道选取了西安、合阳、乌鲁木齐、吐鲁番、河西走廊、宁夏回族自治区等区域内典型的生活场景与人物故事，经过大量的纪实性影像拍摄、多层次的叙事表达，真实记录了丝路沿线丰富的面食文化及所体现的传统精神和乡土情怀，在充分挖掘丝绸之路上人与面食的不解情缘中探寻文化的交流与融合。